Toronto Through My Lens

Month: October 2022 (Page 1 of 3)

“Meet Me Under The Clock”

While running errands last weekend, I passed through the construction hoarding of the massive conversion/construction project in which the historic St. Charles Tavern building, on Yonge Street above College, is being integrated into a new highrise residence. On the hoarding were historic pictures of the Tavern’s events from years past, accompanied by relevant text. I was suddenly struck by the thought, Hey, this would make for a great blog post… so that’s what I did. Being that it’s currently Halloween also injected a shot of inspiration.

Early Days

Ah, the St. Charles building and clock tower… what a history.

The clock tower, located at 488 Yonge Street above College Street, was built in 1870, and was Toronto Fire Hall No. 3 for many years. I read somewhere that the tower was purpose-built so that the fire department could store the fire hoses in the height of the tower.

Starting in the 1920s the tower/building was turned into retail spaces. Apparently there was everything from bicycle shops and car dealerships to an art gallery, which was damaged by fire during the Second World War. With its new identity as a restaurant/club/lounge, the St. Charles Tavern opened in 1951, serving Chinese-Canadian fare. The old Fire Hall’s surviving brass rail and tower were a central component of its marketing campaign: “Meet me under the clock!”.

The St. Charles’ gay roots start to show… “Call Me Miss-ter”, indeed.

Gay History Begins

By the early 1960s, the St. Charles Tavern became known as a gay bar – and this is where the real interesting history starts! Any Torontonian knowing even a small bit of our city’s gay history has heard about the infamous St. Charles Tavern and what used to transpire there.

For many years the St. Charles Tavern was the starting point for the drag queen promenade. The Halloween drag shows that happened there during the 1960s and 1970s are stuff of legend. Unfortunately, so much violence accompanied it.

At that point in history it was illegal to wear clothes of the opposite sex in public; potential harassment and arrest would frequently follow. The only day of the year that opposite-sex clothing was permitted to be worn in public was Halloween, hence the massive crowds at the St. Charles Tavern on that special night of the year.

But, oh the violence of the time…

The gay-haters lined up by the hundreds (and later, the thousands) to jeer and heckle the drag queens (some deposited from limousines) as they arrived at the St. Charles. Rotten eggs, hatred, taunts and threats of physical violence flew in abundance.

A Toronto Star article from November 1, 1971 reported that an estimated 5,000 to 8,000 onlookers, many of them hostile, had turned out Halloween night to participate in the spectacle that year. Police blocked off the street, and “only admitted and obvious homosexuals were allowed through police lines.”

“Hey, eggs don’t hurt as much as bricks do”

Local police officer

In 1977, Toronto mayor David Crombie ordered police to intervene and provide protection to the gay community accessing the tavern on Halloween. That year, the crowd was estimated at 8,000 strong. As the crowd threw eggs, one police officer remarked to a reporter, “Hey, eggs don’t hurt as much as bricks do”. Local businesses participated in keeping the gay community safe. The Westbury Hotel, across the street from the St. Charles, closed 120 rooms facing Yonge Street to prevent attacks from above.

“On October 31, 1979, despite promises to control and disperse the crowd, police failed to prevent a violent, homophobic mob from gathering on Halloween evening on Yonge Street in front of the St. Charles Tavern. Almost 2,000 people gathered on the street, throwing eggs and chanting “Kill the queers.” The Yonge Street entrance to the bar was actually closed; patrons entered by the back alley door, which was heavily guarded by police. At least 103 people in the mob were arrested, most of whom were charged with breach of the peace. A volunteer gay defence patrol, Operation Jack O’Lantern, spent the evening escorting gays and lesbians through the neighbourhood, and became involved in at least one altercation.”1

Photos From Back In The Day

As a gay man living happily in the 2020s enjoying the current full rights and privileges I take for granted in our Canadian society, the photos below enrage and disgust me. WHY was this allowed to happen?!! HOW could this happen?!! It’s utterly mind-blowing to me. Had this been any other marginalized racial or religious group, you know damn well this blatant hatred and hostility would never have been allowed to occur. “Kill the queers!!” seemed to be the mantra of the time. Shameful… utterly shameful.

OK, rant finished now… on to the photos.

The haters and gawkers wait for more drag queens to arrive. At least there’s police presence.
Crowds gather outside the St. Charles to jeer and taunt the arriving patrons
And yes, this was the intellectual level of the haters and bashers who cruised Yonge Street. yelling “Kill the queers!!”
A brave drag queen fights back after being pelted head to toe with eggs
Nice welcoming Committee
At least she’s getting police protection!
The haters wait for the drag queens to arrive
One against many

Halloween at the St. Charles Tavern: A Video

Moving On…

In the 1970s, the St. Charles became outdated. The tower was designated a heritage property in 1974, however, and given a restoration treatment in the mid-1990s.

The St. Charles would gradually evolve into less of a draw for the gay community. Compared to the friendlier, gay-owned establishments popping up a few blocks over (i.e. Church & Wellesley), the bar became notorious for petty crimes, drug deals and the sex trade. The Tavern’s notoriety hit its peak after the disappearance and murders of a few patrons — brutal attacks that remain unsolved and from which the bar never fully recovered. It closed in 1987.

The final decades of the St. Charles were unceremonious. Various retail shops filled the ground floor, with dance clubs like Empire and Circus occupying the upper level until the late ’90s. The space would eventually be converted to rental apartments, but the building was emptied in late 2018 when demolition began in earnest for the new highrise that was to come.

Fast Forward…

The St. Charles is now being integrated into a building called Immix, which will be a luxury apartment (rentals) complex.

I took these shots on June 23, 2018. The entirety of the 19th-century Fire Hall tower that once stretched above the St. Charles Tavern will be incorporated into the new structure.

A Few Years Later…

I took these shots on October 14, 2022. The tower looks like it’s being consumed by the high-rise behind it. Completion can’t be far away. I do like the nod to its gay past, though, with the rainbow spire at the top of the clock tower.

What a building, what a history…


References:

Historic photos courtesy of The Arquives (Canada’s LGBTQ2+ Archives)
Parts of historic text courtesy of The Toronto Star
1LGLC (Lesbian and Gay Liberation in Canada) website

Seen On Dundas & Queen

A few odds ‘n ends from Dundas West & Queen West

Shortstack Records & FlowerPot Cannabis Store
1006 Dundas Street West, northeast corner of Dundas Street West and Montrose Avenue. This is a combination record store and cannabis shop. Unsurprisingly, they were playing “Eight Miles High” by the Byrds as I took this shot.
Utility Box
Southeast corner of Montrose Avenue and Dundas Street West
Vintage Truck
In back alley of houses on Dundas Street West, near Trinity Bellwoods Park
Wet Day
Yonge Street & Dundas Street West
Here’s Looking At You…
Utility box at the corner of St. Patrick Street and Dundas Street West

Meanwhile, Over on Queen Street West…

Queen Street West Mural
Queen West Animal Hospital. Southeast corner of Strachan Avenue and Queen Street West.
Queen Street West Mural
Queen West Animal Hospital. Southeast corner of Strachan Avenue and Queen Steet West.
Queen Street West Mural
Queen West Animal Hospital. Southeast corner of Strachan Avenue and Queen Steet West.
Utility Box
Southeast corner of Strachan Avenue and Queen Steet West
Interesting Condo
Just off Queen Street West
Virgin Radio
Queen Street West & John Street (and no, that’s not a real person up there)
A Little Sidewalk Artistry
Queen Street West
Falun Gong Practitioners
Queen Street West outside Osgoode Hall

The Aga Khan Museum

For some time I had heard the buzz about the Aga Khan Museum in Don Mills at 77 Wynford Drive, and decided to check it out one sunny afternoon. For those not familiar with it, the Aga Khan is a Toronto museum of Islamic and Iranian art and Muslim culture.

The minimalist-style formal gardens and surrounding park are quite calming and serene:

The Aga Khan Museum was opened to the public on September 18, 2014 and houses approximately 1,200 rare objects assembled by His Highness the Aga Khan and Prince Sadruddin Aga Khan.

According to the blurb on Wikipedia, the Aga Khan Museum was recognized as one of the best museums in Toronto by Condé Nast Traveler in 2018.

Curves…
… and lots of sharp angles

The Interior Courtyard

The interior courtyard of the museum is surrounded by glass walls imprinted with patterns resembling traditional Islamic Jali (lattice) screens:

“In a personal letter to architect Fumihiko Maki, His Highness the Aga Khan suggested the Museum be designed around the concept of light. Light, His Highness noted, has been an enduring inspiration for the world’s religions and civilizations since earliest times. Maki responded with a design that invites direct and diffuse light into the building in ingenious ways. The building is positioned 45 degrees to solar north to ensure that all exterior surfaces receive natural light over the course of the day. Angular walls of white Brazilian granite, a material chosen for its resilience and luminosity, enhance the play of light across building surfaces.” – AKDN Website

The Ismaili Centre

The second building on the site, The Ismaili Centre, is a religious, social and spiritual building for the Ismaili Community. Designed by architect Charles Correa, the building is oriented toward Mecca.

Crashing A Wedding Photo Shoot

During my visit I also happened upon a wedding photography session that was going on…

On The Way Out…

Leaving the grounds I noticed this unusual piece. Unveiled in 2016, the bronze piece is called “Horizontal Lovers” by Iranian artist Parviz Tanavoli.

“Pumpkins In The Park”

Walking home last night I happened upon this event on Wellesley Street East. It was Pumpkins In The Park, at the Paul Kane House Parkette, from 4:00-7:30PM. The sun was dropping fast as I took these shots.

The sign at the entrance said: “Pumpkins provided, just bring your imagination!” – and many people did. The turnout was great and it was a hugely successful event. Kudos to the organizers!

Bloor & Bathurst Murals

These mural shots are from a wall behind the buildings on Bloor Street West at Bathurst Street. When you exit the Bathurst subway station you will see these murals on your left, at least you could when I took these images a while ago. There’s a chance these murals may have since changed on this wall, so it’s soon time for a revisit to investigate.

I couldn’t find anything on the web regarding the history or backstories of these murals, but I think they’re fairly impressive.

Time For Tims: Mural behind the CIBC at 532 Bloor St. W. (Bloor & Bathurst)

“Highway Of Heroes” Mural

This painting, on the side of a building behind Yonge Street, near Grenville Street, was unveiled in 2010. The unassuming alley is the final stop on the journey taken by hearses carrying the remains of fallen Canadian soldiers from Canadian Forces Base Trenton to the coroner’s office on Grenville Street.

In September 2013 the mural was seriously vandalized, totally ruined with spray paint. The original artwork featured a dove, wings spread wide, over a field of poppies. The original artists returned to the scene, though, and began to completely redo the mural. They first primed the defaced wall by painting it black, then set to work with a new design that echoed the imagery of the original mural.

“Highway of Heroes” mural in St. Luke Lane, off Grenville Street, behind Yonge

This new rendering features two doves, a Canadian flag and the silhouette of a soldier set against a luminous sky, which graffiti artist Jessey Pacho describes as “a very serene, heavenly cloud feeling.” Artist Kedre Brow also contributed to the recreation of the mural.

Hopefully this one will stay intact. It hasn’t been defaced since 2013, so fingers crossed. Suggestion to the store in this laneway: it would be *much* nicer and more respectful if the dumpster were removed… I’m just sayin’.

Monument To The War Of 1812

This monument was created by Canadian author and visual artist Douglas Coupland after being commissioned by Malibu Investments, the company which built the condo behind the sculpture. The toy soldiers characterize the combatants in the War of 1812, in which the United States attacked Canada – then a British colony – to remove it from British rule and expand our country into the U.S.

The gold soldier representing Canada stands, while the silver American soldier lies fallen.

The standing gold soldier is wearing the 1813 Royal Newfoundland Regiment uniform, while the silver soldier, lying down, wears the 16th United States Infantry Regiment uniform.

The plaque at the base of the piece summarizes the relevance of the sculpture:

Two abandoned toy soldiers pay tribute to Toronto’s history in this artwork. Without Fort York there would have been no Canada – the British would have lost Canada to the Americans in the War of 1812, and Canada would have been absorbed into the United States.

Commissioned by Malibu Investments and unveiled by Deputy Mayor Joe Pantalone, November 2008

The Monument To The War Of 1812 is located at the intersection of Lakeshore Blvd. West and Fleet Street, just south of the Fort York National Historic Site. Fort York is home to Canada’s largest collection of original War of 1812 buildings.

The artist, Douglas Coupland, talks about the monument in the video below:

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