Flow Blue is created by artist Marlene Hilton Moore. Located at the Encore Condo at 23 Carlton Street, this treed walkway leads from the condo entrance to neighbouring Granby Street. The blue trees were installed in 2008 and are 17 feet high. The design was inspired by the numerous trees on nearby Granby Street.
By night the vault of the Archway is illuminated with blue LED lights, simulating the sky. I have no shots of that, unfortunately… time for another visit – nighttime next time around.
Passing through Union Station last week I noticed a new (to me) installation. Do Something, is a project Gord Downie launched before his death.
A Bit Of The Backstory
Chanie Wenjack
Chanie Wenjack, misnamed Charlie Wenjack by his teachers, was an Anishinaabe boy born in Ogoki Post on the Marten Falls Reserve on January 19th, 1954. Chanie’s story, tragically, is like so many stories of Indigenous children in this country; he fell victim to Canada’s colonization of Indigenous Peoples.
In 1963, at the age of nine, Chanie was sent to the Cecilia Jeffrey Indian Residential school in Kenora, Ontario. In 1966, at 12-years old, Chanie ran away from Cecilia Jeffrey, attempting to reunite with his family 600 kilometers away in Ogoki Post. Nine others ran away that same day, all but Chanie were caught within 24 hours.
Chanie’s body was found beside the railway tracks on October 22, 1966, a week after he fled. He succumbed to starvation and exposure. In his pocket was nothing but a little glass jar with seven wooden matches.
Chanie haunts me. His story is Canada’s story. This is about Canada. We are not the country we thought we were. History will be re-written.
Gord Downie
Gord Downie
Gord Downie was the lead singer, songwriter and driving creative force behind The Tragically Hip, who brought their energetic, live performances to audiences around the world for over three decades. The group released their first album, The Tragically Hip, in 1987 and have since released thirteen studio albums, including their final album, Man Machine Poem (2016). Gord also enjoyed a career as a solo artist. He released six albums, including Secret Path.
Gord directed music videos, narrated the Waterlife and National Parks Project documentaries, and appeared in a number of films including director Michael McGowan’s One Week and director Mike Clattenburg’s Trailer Park Boys: The Movie. In 2014, Gord and his brothers, Mike and Patrick, along with Patrick Sambrook, started the production company Edgarland Films.
In August of 2016, Gord asked all Canadians to look at the state of Indigenous-settler relations in this country and to “Do Something” to change them for the better. In December of 2016, Gord was given the Lakota Spirit Name, Wicapi Omani, which can be translated as “Man who walks among the stars” for his reconciliACTIONs.
Full info about the The Gord Downie & Chanie Wenjack Fund can be found here.
Gord’s Legacy
In October of 2017, Gord Downie passed away with his children and family close by. His legacy, messages of hope, and powerful calls to action live on. Gord has dedicated his legacy to creating lasting, positive change in Canada; we are committed to making Gord proud as he begins to walk down this new path in his journey.
The description beside two of Gord’s portraits in the installation reads:
This project is an expansion of Union Station’s long-term partnership with the Gord Downie & Chanie Wenjack Fund, which focuses on building awareness, education, and connections between all peoples in Canada and our shared path toward reconciliation.
While running errands last weekend, I passed through the construction hoarding of the massive conversion/construction project in which the historic St. Charles Tavern building, on Yonge Street above College, is being integrated into a new highrise residence. On the hoarding were historic pictures of the Tavern’s events from years past, accompanied by relevant text. I was suddenly struck by the thought, Hey, this would make for a great blog post… so that’s what I did. Being that it’s currently Halloween also injected a shot of inspiration.
Early Days
Ah, the St. Charles building and clock tower… what a history.
The clock tower, located at 488 Yonge Street above College Street, was built in 1870, and was Toronto Fire Hall No. 3 for many years. I read somewhere that the tower was purpose-built so that the fire department could store the fire hoses in the height of the tower.
Starting in the 1920s the tower/building was turned into retail spaces. Apparently there was everything from bicycle shops and car dealerships to an art gallery, which was damaged by fire during the Second World War. With its new identity as a restaurant/club/lounge, the St. Charles Tavern opened in 1951, serving Chinese-Canadian fare. The old Fire Hall’s surviving brass rail and tower were a central component of its marketing campaign: “Meet me under the clock!”.
The St. Charles’ gay roots start to show… “Call Me Miss-ter”, indeed.
Gay History Begins
By the early 1960s, the St. Charles Tavern became known as a gay bar – and this is where the real interesting history starts! Any Torontonian knowing even a small bit of our city’s gay history has heard about the infamous St. Charles Tavern and what used to transpire there.
For many years the St. Charles Tavern was the starting point for the drag queen promenade. The Halloween drag shows that happened there during the 1960s and 1970s are stuff of legend. Unfortunately, so much violence accompanied it.
At that point in history it was illegal to wear clothes of the opposite sex in public; potential harassment and arrest would frequently follow. The only day of the year that opposite-sex clothing was permitted to be worn in public was Halloween, hence the massive crowds at the St. Charles Tavern on that special night of the year.
But, oh the violence of the time…
The gay-haters lined up by the hundreds (and later, the thousands) to jeer and heckle the drag queens (some deposited from limousines) as they arrived at the St. Charles. Rotten eggs, hatred, taunts and threats of physical violence flew in abundance.
A Toronto Star article from November 1, 1971 reported that an estimated 5,000 to 8,000 onlookers, many of them hostile, had turned out Halloween night to participate in the spectacle that year. Police blocked off the street, and “only admitted and obvious homosexuals were allowed through police lines.”
“Hey, eggs don’t hurt as much as bricks do”
Local police officer
In 1977, Toronto mayor David Crombie ordered police to intervene and provide protection to the gay community accessing the tavern on Halloween. That year, the crowd was estimated at 8,000 strong. As the crowd threw eggs, one police officer remarked to a reporter, “Hey, eggs don’t hurt as much as bricks do”. Local businesses participated in keeping the gay community safe. The Westbury Hotel, across the street from the St. Charles, closed 120 rooms facing Yonge Street to prevent attacks from above.
“On October 31, 1979, despite promises to control and disperse the crowd, police failed to prevent a violent, homophobic mob from gathering on Halloween evening on Yonge Street in front of the St. Charles Tavern. Almost 2,000 people gathered on the street, throwing eggs and chanting “Kill the queers.” The Yonge Street entrance to the bar was actually closed; patrons entered by the back alley door, which was heavily guarded by police. At least 103 people in the mob were arrested, most of whom were charged with breach of the peace. A volunteer gay defence patrol, Operation Jack O’Lantern, spent the evening escorting gays and lesbians through the neighbourhood, and became involved in at least one altercation.”1
Photos From Back In The Day
As a gay man living happily in the 2020s enjoying the current full rights and privileges I take for granted in our Canadian society, the photos below enrage and disgust me. WHY was this allowed to happen?!! HOW could this happen?!! It’s utterly mind-blowing to me. Had this been any other marginalized racial or religious group, you know damn well this blatant hatred and hostility would never have been allowed to occur. “Kill the queers!!” seemed to be the mantra of the time. Shameful… utterly shameful.
OK, rant finished now… on to the photos.
The haters and gawkers wait for more drag queens to arrive. At least there’s police presence.
Crowds gather outside the St. Charles to jeer and taunt the arriving patrons
And yes, this was the intellectual level of the haters and bashers who cruised Yonge Street. yelling “Kill the queers!!”
A brave drag queen fights back after being pelted head to toe with eggs
Nice welcoming Committee
At least she’s getting police protection!
The haters wait for the drag queens to arrive
One against many
Halloween at the St. Charles Tavern: A Video
Moving On…
In the 1970s, the St. Charles became outdated. The tower was designated a heritage property in 1974, however, and given a restoration treatment in the mid-1990s.
The St. Charles would gradually evolve into less of a draw for the gay community. Compared to the friendlier, gay-owned establishments popping up a few blocks over (i.e. Church & Wellesley), the bar became notorious for petty crimes, drug deals and the sex trade. The Tavern’s notoriety hit its peak after the disappearance and murders of a few patrons — brutal attacks that remain unsolved and from which the bar never fully recovered. It closed in 1987.
The final decades of the St. Charles were unceremonious. Various retail shops filled the ground floor, with dance clubs like Empire and Circus occupying the upper level until the late ’90s. The space would eventually be converted to rental apartments, but the building was emptied in late 2018 when demolition began in earnest for the new highrise that was to come.
Fast Forward…
The St. Charles is now being integrated into a building called Immix, which will be a luxury apartment (rentals) complex.
I took these shots on June 23, 2018. The entirety of the 19th-century Fire Hall tower that once stretched above the St. Charles Tavern will be incorporated into the new structure.
A Few Years Later…
I took these shots on October 14, 2022. The tower looks like it’s being consumed by the high-rise behind it. Completion can’t be far away. I do like the nod to its gay past, though, with the rainbow spire at the top of the clock tower.
What a building, what a history…
References:
Historic photos courtesy of The Arquives (Canada’s LGBTQ2+ Archives) Parts of historic text courtesy of The Toronto Star 1LGLC (Lesbian and Gay Liberation in Canada) website
Shortstack Records & FlowerPot Cannabis Store 1006 Dundas Street West, northeast corner of Dundas Street West and Montrose Avenue. This is a combination record store and cannabis shop. Unsurprisingly, they were playing “Eight Miles High” by the Byrds as I took this shot.Utility Box Southeast corner of Montrose Avenue and Dundas Street WestVintage Truck In back alley of houses on Dundas Street West, near Trinity Bellwoods ParkWet Day Yonge Street & Dundas Street WestHere’s Looking At You… Utility box at the corner of St. Patrick Street and Dundas Street West
Meanwhile, Over on Queen Street West…
Queen Street West Mural Queen West Animal Hospital. Southeast corner of Strachan Avenue and Queen Street West.Queen Street West Mural Queen West Animal Hospital. Southeast corner of Strachan Avenue and Queen Steet West.Queen Street West Mural Queen West Animal Hospital. Southeast corner of Strachan Avenue and Queen Steet West.Utility Box Southeast corner of Strachan Avenue and Queen Steet WestInteresting Condo Just off Queen Street WestVirgin Radio Queen Street West & John Street (and no, that’s not a real person up there)A Little Sidewalk Artistry Queen Street WestFalun Gong Practitioners Queen Street West outside Osgoode Hall
It had been a number of years since I’d been out to Trinity Bellwoods Park on Queen Street West. A few days ago I was searching online to see what sites would be good candidates for capturing fall leaves, and this location came up. I paid a little visit this past Sunday and was not disappointed in the colour there.
For some time I had heard the buzz about the Aga Khan Museum in Don Mills at 77 Wynford Drive, and decided to check it out one sunny afternoon. For those not familiar with it, the Aga Khan is a Toronto museum of Islamic and Iranian art and Muslim culture.
The minimalist-style formal gardens and surrounding park are quite calming and serene:
The Aga Khan Museum was opened to the public on September 18, 2014 and houses approximately 1,200 rare objects assembled by His Highness the Aga Khan and Prince Sadruddin Aga Khan.
According to the blurb on Wikipedia, the Aga Khan Museum was recognized as one of the best museums in Toronto by Condé Nast Traveler in 2018.
Curves…… and lots of sharp angles
The Interior Courtyard
The interior courtyard of the museum is surrounded by glass walls imprinted with patterns resembling traditional Islamic Jali (lattice) screens:
“In a personal letter to architect Fumihiko Maki, His Highness the Aga Khan suggested the Museum be designed around the concept of light. Light, His Highness noted, has been an enduring inspiration for the world’s religions and civilizations since earliest times. Maki responded with a design that invites direct and diffuse light into the building in ingenious ways. The building is positioned 45 degrees to solar north to ensure that all exterior surfaces receive natural light over the course of the day. Angular walls of white Brazilian granite, a material chosen for its resilience and luminosity, enhance the play of light across building surfaces.” – AKDN Website
The Ismaili Centre
The second building on the site, The Ismaili Centre, is a religious, social and spiritual building for the Ismaili Community. Designed by architect Charles Correa, the building is oriented toward Mecca.
Crashing A Wedding Photo Shoot
During my visit I also happened upon a wedding photography session that was going on…
On The Way Out…
Leaving the grounds I noticed this unusual piece. Unveiled in 2016, the bronze piece is called “Horizontal Lovers” by Iranian artist Parviz Tanavoli.
[…] weekend: the Roncesvalles Polish Festival and the Bloor West Village Toronto Ukrainian Festival. I’ve posted previously about the Ukrainian…