Toronto Through My Lens

Category: Public Art (Page 4 of 6)

Artwork Off Camden Street

There is a small street in the Spadina Avenue/Richmond Street West area called Camden Street. While passing Camden Street this past weekend I noticed a flash of bright colour from a side alley there and decided I just had to explore further. What greeted me were some very colourful murals and artwork.

North Side

On the north side of Camden Street there is an unspectacular – actually rather dismal – parking lot. Here are the murals I found there (’tis a pity the tag vandals have damaged so many of them):


South Side

On the south side of Camden Street there is an unassuming, dark alley that displays some pretty impressive artwork. These cartoon-style murals remind of that Lichtenstein art that was so popular in the 80s.

The murals below were painted in 2006 by youth from the Cecil Harbourfront Community Centre as part of the City of Toronto’s Graffiti Transformation Project. These are seriously good:

In the same alley but not part of the City of Toronto’s Graffiti Transformation Project, are these pieces:

Frequently the best art can be found in the most unassuming places…. like this.

From The Vaults: “The Nindinawemaaganidok / All My Relations” Mural Project

It’s time for another installment of what I’ve dubbed From The Vaults, which are TOcityscapes from several years past. These shots are from January 12, 2013 so I think they qualify as Vaults material.

For about 4 years in the early 2010s, there was a huge wooden hoarding/fence on the south side of Allan Gardens. The hoarding surrounded the main construction site of the Gerrard Watermain Replacement Project. Allegedly the size of 2 football fields (719 feet), the hoarding served as a massive art canvas for Toronto Aboriginal community artists.

Entitled The Nindinawemaaganidok/All My Relations Mural Project, the artwork was a visual representation of First Nations life and culture in Toronto. Led by nationally recognized and award winning artists Tannis Nielsen and Philip Cote, 21 artists from the First Nations community came together to design and paint the mural.

The mural depicted 5 different topics combined with Aboriginal history in the city of Toronto:

  • Aboriginal women who have been murdered or have gone missing across Canada
  • A time line of the creation story to present day
  • The North and South Indigenous nations coming together
  • Indigenous teachings
  • The importance of water

Here’s how it looked:

    I couldn’t find any further history as to what happened to the mural after it was dismantled. At one point I heard it was to be auctioned off during the Pan Am games when they were hosted in Toronto a few years; I don’t know if that ever came to pass, though. At any rate, it proved to be an inspiring and beautiful mural for a number of years in Allan Gardens.

    Art In Regent Park

    It was a sunny day when I took a spin through a bit of the redeveloped Regent Park in downtown Toronto. Most noticeable in the new section is the art instalment. Toronto artist Dan Bergeron has captured the essence and character of the neighbourhood’s residents by featuring a cross-section of individuals in this piece entitled Faces Of Regent Park. The permanent installation consists of 12 large laminate glass portraits positioned around the entry plaza to Regent Park on the north side of Dundas Street.

    In a Toronto Life article, Dan Bergeron says he began the project by photographing around 45 subjects, then narrowed the roster down to a dozen faces that he felt best represented the area’s diversity. He painted over the black and white photographs with swaths of colours, graffiti scrawls and patterns.

    I wanted to use high-contrast hues because where the pieces are located in the plaza, the concrete is grey and the buildings are dark. I really wanted to make these bright pieces as a juxtaposition to the surroundings.

    Artist Dan Bergeron

    Faces Of Regent Park

    Green Belt Mural

    On my way out of the plaza I found these murals on the side of one of the community buildings

    “Safe Hands”

    Sitting in front of the 76-storey tower One Bloor East (1 Bloor Street East) is a sculpture everyone calls “the oil cans”, and it’s easy to see why. Designed by Israeli-born, UK-based designer and architect Ron Arad, the installation is actually called Safe Hands. It stems from the City’s One Percent for Public Art Program, which mandates that 1% of project costs of building a condo/new highrise must go towards public art that is clearly visible at all times from publicly accessible areas.

    The sculpture consists of a pair of intertwined stainless steel multi-jointed fingers with ruffled surfaces in spots, and flashes of bright yellow and red where sections end. Rising 88 feet high, the sculpture was designed by Ron Arad, and produced locally by Stephen Richards of Streamliner Fabrication Inc.

    Originally planned as a dynamic sculpture with moving upper sections, the piece was redesigned as static when logistics proved too onerous (and likely too expensive to fix should it have broken at some point). The piece evokes a feeling of motion, which I’m sure was the intent of the sculptor’s design.

    Alleyway Of Dreams

    The Alleyway Of Dreams is a mural-filled alley in the eastern part of Toronto, running between Coleman Avenue and Danforth Avenue, just east of Main Street. The Alleyway of Dreams began by homeowners painting simple murals on their backyard garden sheds facing the alley as a way to improve the space, create more safety and beautify an ugly place.

    The Alleyway Of Dreams was started by Mark Kerwin and Sarosh Anwar, two local Danforth Village residents. The project is about creating an art and cultural corridor in east end Toronto, embracing nature, human potential, freedom of imagination and community. The project was begun in 2013.

    It was a nice sunny day when I visited this quirky and fun alleyway… here’s what I encountered:

    “U.V. Ceti”

    U.V. Ceti is an abstract sculpture by Andrew Posa, a Hungarian-Canadian sculptor. The piece was established at 30 Wellington Street East in 1992.

    This large bronze sculpture sits on a base in the centre of a fountain. The sculpture looks like an asymmetrical V, with its arms spreading out to the sides and upward. Resting at the joint, in the centre of the V, is a large round ball. The V form looks like it is a cross-section of something larger. The front and back surfaces are smooth and slightly concave while the top and bottom of the V are rough with the look of earth. The sphere in the centre of the V looks as if it is a planet or asteroid that has crashed and formed a crater in the V.

    U. V. Ceti by Andrew Posa
    Dedicated to Edward Isaac Richmond
    Architect 1908 – 1982
    A kind man who shared his love of beauty

    dedication plaque, attached to the base

    Just in case you were wondering what a U. V. Ceti is:

    Our galaxy is filled with billions of red dwarf stars, all of which are too dim to see with the naked eye. Lying at the faint, red end of the Hertzsprung-Russell diagram, their small masses — a few tenths that of the Sun — make them much cooler and dimmer than our own Sun. In fact, few of these stars have been detected beyond a dozen or so parsecs of our solar system. However, some of these stars belong to the spectacular class of variables known as the flare stars or the UV Ceti variables. At irregular and unpredictable intervals, they can dramatically increase in brightness over a broad wavelength range from X-rays to radio waves for anywhere from a few minutes to a few hours. The fact that such small, unassuming stars can suddenly undergo incredibly energetic events make the flare stars one of the more intriguing targets for variable star observers.1

    1 UV Ceti and the Flare Stars

    Puente de Luz Bridge

    Located at 524 Front Street West over the busiest railway corridor in Canada, the Puente de Luz is a sculptural pedestrian bridge and the largest public art installation in Canada. The name Puente de Luz, or Bridge of Light, was chosen to signify the link between North and South and the connection between the two countries that came together to build it – Canada and Chile.

    The Puente de Luz was designed by Chilean sculptor Francisco Gazitua with structural engineer Peter Sheffield. Located in the Concord CityPlace neighbourhood, the bridge carries pedestrians and cyclists from the western portion of CityPlace to Front Street West just between Spadina and Bathurst.

    The $8 Million bridge was completed in 2011. It was built as required by the City of Toronto for developer Concord Adex to create inter-connectivity with surrounding neighbourhoods.

    Entrance on Front Street West
    Bridge exit on to Iceboat Terrace

    A Walk Up & Down Avenue Road

    It was a crisp fall day when I started my Avenue Road photowalk at Bloor Street West. I made my way up Avenue Road, reached Dupont Street, then returned south until I hit University Avenue and Dundas Street West. Here’s a little of what I encountered along the way.

    The Prince Arthur Condo
    38 Avenue Road
    The Prince Arthur Condo, 38 Avenue Road
    I’ve always loved this entryway – so elegant, dramatic
    New Condo Construction: 183 Avenue Road
    Construction on the northeast corner of Avenue Road and Pears Avenue in Yorkville. This is a proposed 10-storey mixed-use condominium building designed by BBB Architects for K P Isberg.
    Hazelton Lanes Residences
    55A Avenue Road
    Galerie de Bellefeuille
    87 Avenue Road
    Future Site of “The Webley”
    121 Avenue Road
    Bike Memorial For Adam Excell
    On the corner of Avenue Road and Davenport Road. Adam Excell was riding his bike on Avenue Road, near Davenport Road on June 13, 2015, when he was struck and killed by a car that did not remain at the scene.
    David Drebin Mural
    On the northwest corner of Avenue Road and Davenport Road. David Drebin is a Toronto-born professional photographer.
    David Drebin Mural & “Super Convenience”
    Northwest corner of Davenport Road and Avenue Road
    The Hare Krishna Temple
    The Hare Krishna Temple is located at 243 Avenue Road. The building is the former home of Avenue Road Church. It was built in 1899 and was originally the Presbyterian Church of the Covenant. The building was designed by Toronto architects Gordon & Helliwell.
    The Church of the Messiah
    240 Avenue Road. This Anglican church was founded on March 24, 1891 by members of the Church of the Redeemer further south on Avenue Road. The building, and the rectory next door, were designed by Gordon & Helliwell, the same architects who designed what is now the Hare Krishna Temple across the street.
    Fall Leaves
    Somewhere on Avenue Road
    Mural Outside Havana Coffee Bar
    233 Davenport Road, southwest corner of Davenport Road and Avenue Road
    Flower Markets
    Avenue Road, south of Davenport
    Giant Ring
    Outside Louro & Sons Jewellers, 104 Avenue Road
    “Mixer”
    These cast bronze figures are entitled “Mixer” by sculptor An Te Liu, a Taiwanese-Canadian artist living and working in Toronto. “Mixer” envisions its installation as a stage inhabited by a pair of cast bronze figures engaged in dialogue with passersby, hotel visitors, and each other. Bold and distinctive in silhouette and richly finished in a lustrous deep gold patina, the sculptural ensemble forms a vivid and iconic tableau establishing the Park Hyatt as a singular destination. As a public artwork, “Mixer” is monumental in scale – visible from afar and instantly recognizable. Open and intimate, the work invites visitors to experience the artwork fully and in the round. People become a critical part of the scenography, which unfolds within the architectural proscenium and extends out into the city.

    “Mixer” finds shape and expression in the rich history of Park Hyatt Toronto, merging classical figurative allusions with industrial, artisanal, and organic forms culled from glassware, vessels, and couture. The forms also stem from a reinterpretation of the artistic legacy of Henry Moore, a seminal figure in the history of the modern era in Toronto. “Mixer” captures the allure of social encounters and celebrates imbibing in all the senses. They form a continuity between the illustrious past of Park Hyatt Toronto and its present renaissance as an exemplar of elegance and luxury. An Te Liu’s inspiration for this work comes more specifically from an archival photograph of the Park Hyatt Rooftop Lounge, commonly known as “The Rooftop bar at Park Plaza,” years ago. An Te Liu would visit during his years as a student at the University of Toronto – understanding its’ social significance as a landmark in the city. Park Hyatt Toronto invites visitors to experience the artwork in the round, as this ensemble of works seems like an encounter or conversation. The hotel program inspired this meaningful concept as a place of social convergence, where friends and strangers cross
    Lillian Massey Building
    Building used by University of Toronto, 125 Queen’s Park
    “Freedom Fighters”
    Queen’s Park
    “Freedom Fighters”
    Queen’s Park
    Fall Leaves
    Queen’s Park
    Al Purdy Statue, Queens’ Park
    Al Purdy was a 20th-century Canadian free verse poet. Purdy’s writing career spanned 56 years. His works include 39 books of poetry; a novel; two volumes of memoirs and four books of correspondence, in addition to his posthumous works. He has been called the nation’s “unofficial poet laureate” and “a national poet in a way that you only find occasionally in the life of a culture.”
    Iranian Demonstration
    There was an Iranian demonstration happening that day at Queen’s Park, and this guy was ripping up and down Queen’s Park and University Avenue with his balloons and flag
    U of T’s Schwartz Reisman Innovation Centre
    112 College Street, at University Avenue
    “Happy Lunar New Year”
    Canada Post box at University Avenue and Dundas Street West
    The United Building
    481 University Avenue. On the corner of University Avenue and Edward Street. Converting into luxury condos.
    The United Building
    481 University Avenue. On the corner of University Avenue and Edward Street. Converting into luxury condos.

    “The Ascent”

    This piece, entitled The Ascent, is located outside Starbucks at 1121 Bay Street, corner of Bay and Charles Streets. Designed by Toronto husband and wife team Paul Kipps and Colette Whitens, it features nine female silhouettes climbing upward.

    A bit of trivia: this Starbucks location is the former site of the famed, but long-gone, restaurant La Scala.

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