Toronto Through My Lens

Category: Sculptures (Page 3 of 8)

The Griffins at Lillian H. Smith, Toronto Public Library

Several of you will instantly recognize this very familiar site! Today we take a look at the Griffins (or Gryphons) guarding the main entrance of the Lillian H. Smith branch of the Toronto Public Library at 239 College Street.

The figures were designed and constructed by architect Philip H. Carter and sculptor Ludzer Vandermolen. The griffins took their permanent place beside the entrance when the branch opened in 1995.

Edgar and Judith

Each griffin weighs 3 tonnes or 3000 kilograms and took about 1.5 years to make. Small clay models were approved by the Library Board, then enlarged and cast in fibreglass and wax before being sent to the foundry. Since they are so big, they were cast in different sections – about 12 parts for each statue. The bronze finisher was Vince Graham.1

The griffins have their own identity and heritage: the lion is Edgar (east side of door) and the eagle is named Judith. If you study the griffins for a while you will soon see various little animals embedded into each main figure.

Judith

Judith resides on the west side of the library’s main door. It is named for the Merril Collection of Science Fiction, Speculation and Fantasy.

Edgar

Edgar guards the east side of the library’s main door. He is named after the benefactor of the Osborne Collection of Early Children’s Books.


Near the griffins, but not part of them, is this owl. Prior to taking up residence at Lillian H. Smith branch it was situated at the entrance of the old Boys and Girls House library on St. George Street.

If you’d like to read about the history of Lillian H. Smith and the Toronto Public Library in general, here are a couple of interesting articles:

Tilted Spheres

Hello everyone and welcome back to TOcityscapes after my little hiatus!

Having recently passed through Toronto’s Pearson Airport on an international trip, I had an opportunity to view and photograph this sculpture up close. Given that, I thought a post on this piece would be appropriate.

This work is called Tilted Spheres, created by the artist Richard Serra. It resides at Pearson International Airport in the International Departures area, Terminal 1, and was installed in 2004.

The sculpture is past the security gates, so only international travellers boarding at gates in Pier F will see it and be able to walk among its four sections. It’s so big and heavy that it was laid into the floor when the terminal was under construction, then the walls and ceiling were built around it.

Its sheer size and scope, at 120 tonnes, makes it unmissable. The curved walls create an echo effect that is endlessly tested by intrigued adults and children, thousands of whom pass, and touch, the installation every day.

Whenever I see this work in person I always become enthused; given it’s in the international departures area I identity it with imminent travel, fun and intrigue.

“Sundial Folly”

Sundial Folly is a large concrete ball sitting on the edge of Lake Ontario. Located at at 25 Queen’s Quay West, it was created by John Fung and Paul Figueiredo and installed at Toronto’s Harbourfront in 1995.

A folly in architectural terms is a building or structure built for decoration without any real function. This particular folly, though, is supposed to work as a sundial – I’m not sure if that happens or not. Even if it is useless as a sundial, it’s an interesting piece of art and you can actually go inside of it.

Someone, obviously an “Aliens” fan, created this image on the inside of the sculpture

The folly rests in a pool of water. The water feeds a small waterfall that tumbles a few feet into Lake Ontario on the east side of the pier in Harbour Square Park.

“The Watchers”

At the corner of Queen Street East and Victoria Street sits a sculpture by artist Peter von Tiesenhausen. Entitled The Watchers, the sculpture was established in 2002 and is made from cast iron and granite.

The iron figures in The Watchers are direct casts of five wood originals which were carved and blackened in a fire on the Canadian prairies. From there began a journey that took them 35,000 kilometres through every province and around every territory. From Newfoundland they navigated the Northwest Passage to Tuktoyaktuk. Down the Arctic ice road, through the mountains of the Yukon and the Queen Charlotte Islands in British Columbia, The Watchers returned to the prairies five years later. Having nearly traced the geographical boundaries of Canada, they had come full circle.

If you’d like to read more about their story, click here.

A Walk Through Leslieville

It was a sunny day for my Leslieville photowalk. I started my ramblings on the corner of Dundas Street East and Broadview Avenue, then slowly worked my way further east, then south, to Queen Street East. I called it a day when I reached Leslie Street then caught the streetcar home.

Leslieville is great for photography and offers so many quirky opportunities. I know I certainly enjoyed the day.

Mini Mural
Corner of Dundas Street East and Broadview Avenue
Faces
On the side of SEED Alternative Secondary School, 885 Dundas Street East
House With Character
948 Dundas Street East
Under the Railroad Tracks
Dundas Street East, near Logan Avenue
Can I give you a hand?
Seen in someone’s front yard on Dundas Street East
“The Giant Storybook Project”
Created by the artist Herakut in 2012. Located at 1135 Dundas Street East.
“The Signature Marker” by Pierre Poussin
Located in Carlaw Dundas Park, on the corner of Dundas Street East and Carlaw Avenue. Pierre Poussin’s Brick Obelisk is a three-sided pyramid which responds to the shape of the Carlaw Dundas Park where it is erected. It is 9.2 metres high, ensuring that all traffic – pedestrian, bicycle or car – will be able to see it as they enter and explore the neighbourhood. The obelisk is made with corten steel onto which historic maps of the neighbourhood, spanning from 1851 to 2016, are etched. The structure is illuminated from within by LED lights so that details of the etched steel are visible at night.
Building the Railroad Bridge
Enlarged photo in Carlaw Dundas Park, on corner of Dundas Street East and Carlaw Avenue
Welcome to Leslieville
1130 Queen Street East
Leslieville
1137 Queen Street East
“Leslieville Is Beautiful”
Queen Street East
“Leslieville” Mural
Mural by Elicser and Sight, 2016. Corner of Queen Street East and Jones Avenue.
Utility Box
Northeast corner of Queen Street East and Jones Avenue, Leslieville
Vintage Stove
Reggie’s Queen East Appliance Centre, 1180 Queen Street East
The Duke
1225 Queen Street East
Mural on side of The Duke
1225 Queen Street East
Nice Schnozz
Gio Rana’s Really, Really Nice Restaurant, 1220 Queen Street East
Dave’s Hot Chicken
1130 Queen Street East, corner of Bertmount Avenue and Queen Street East
Kristapsons Smoked Salmon
1095 Queen Street East
Anvil Jewellery
Nice paint job! 1015 Queen Street East.
Mural on side of Cask Music
1054 Queen Street East, corner of Queen Street East and Pape Avenue
Queen Street East Presbyterian Church
947 Queen Street East
Dr. R.J. Black, D.V.S.
923 Queen Street East
“Life Is Sweet”
Northeast corner of Logan Avenue and Queen Street East. This interactive mural is a creative placemaking collaboration between Contemporary Canadian Artist Benny Bing, Paulina O’Kieffe-Anthony, Craig’s Cookies and 908QSE Inc., integrating arts and culture in community development and rejuvenating the Queen Street East and Logan Avenue streetscape.
Mural on the side of Cannoe Cannabis
698 Queen Street East, corner of Boulton Avenue
Queen Garden Centre
771 Queen Street East
Cool storefront on “Civilian House of Cannabis”
745 Queen Street East
Paper Mache Bunny
Queen Street East

In & Around Portland Street

On my way to photograph Victoria Memorial Square (stay tuned for a future post on that) I passed through the Portland Street and Wellington Street West area. Here’s a bit of what I encountered:

Nice bike!
Adelaide Street West, just east of Bathurst Street
More condos!
Just south of Richmond Street West. Condos are going up all around this site, hence the message on the painting: “The last inhabited house on this street”.

I found this graffiti and artwork in an alley behind Portland Street, south of Richmond Street West. Lots of colour here:


Interesting white flowers
Ruby Soho patio on Portland Street, just south of King Street West
The Happy Sundae
85 Portland Street. Lots of colour and ice cream here. Next time, I’m stopping for a sample!
Mural
On Portland Street south of King Street West

Clarence Square
On the corner of Wellington Street West and Spadina Avenue

Houses on Clarence Square
Charming houses on the Square

Mascot
Outside The Soho Hotel & Residences, 318 Wellington Street West
“Pas de Trois” (1984) by Russell K. Jacques
In front of office tower at 70 University Avenue, corner of Wellington Street West
Jump Restaurant & Bar
18 Wellington Street West. Love the spring!
That’s it for now… thanks for joining me on this little walkabout!

“Pi”

Last week I happened across a curious piece found at 220 Bay Street, nestled in a passageway behind the TD Centre off Wellington Street West. Created by Canadian artist Evan Penny, this large sculpture – entitled Pi – is of a man’s head which has been cut into four pieces. The pieces are cut at ninety degree angles with straight lines which are in sharp contrast to the roundness of the outside of the head and the features of the face. The tallest piece measures approximately four feet high.

The features of the man’s face are very strong but they show little expression as if he is lost in thought and the fact that his head has been turned into a puzzle has not registered.

The bronze is a deep green colour which gives this sculpture a warm complexion.

This sculpture has been in place since 1996. I am amazed I had not come across this work until just recently; it resides in kind of a hidden pocket in the King/Bay area so that may explain it.

“Family Group”

This bronze sculpture entitled Family Group by artist Almuth Lutkenhaus resides in Berczy Park in the St. Lawrence neighbourhood.

The sculpture is a family unit depicting a father, mother and two children. The man and the woman are facing each other and the base of these two figures join to form one solid unit. The small boy is resting against the front of the mother and the girl child is resting against the chest of the father. These children look as if they are secure within the family unit by resting in front of their parents and being enclosed by their bodies and encircled with their arms.

Commissioned in the 1970s by a local historical society, Family Group was at first accepted by the City of Toronto, but subsequently rejected on aesthetic grounds. Controversy ensued, with author Margaret Laurence contributing to the debate by declaring: The work seems to me to be a tender and beautiful tribute to the Berczy family and, by extension, a tribute to the concept of family everywhere. The sculpture was finally installed in 1982 with financial help from the Consumers’ Gas Company.

This sculpture was donated by The Historical Society of Mecklenburg Upper Canada Inc., with the financial assistance of The Consumer’s Gas Limited and The Council of Metropolitan Toronto, in memory of Johann Albrecht Ulrich Moll, better known as William Berczy, born December 10, 1744 in Wallerstein, Germany. He was co-founder of York (Toronto) in 1794 when John Graves Simcoe was Lieutenant-Governor of Upper Canada. His younger son, Charles Albert Berczy, was the first president of The Consumer’s Gas Company, from 1847 to 1856, and Postmaster of Toronto. His older son, William Bent Berczy, was a Member of the Legislative Assembly of Upper Canada and, like his father and mother, a gifted painter.

plaque at the base of the sculpture

“Fair Grounds”

Fair Grounds (2001-2003) is a work by Canadian artist Michel Goulet. It is comprised of two parts, a part residing on each side of the main entrance to the Icon II condo at 250 Wellington Street West.

Part 1: The Ribbons

Colourful ribbons recall the tradition of tying a ribbon around one’s finger or around a cherished object as a reminder to oneself to remember, or as a call for hope or a happy ending.

Part 2: The Chairs

Eight chairs, each unique in their period and style, are arranged in pairs to simulate different relationships between two people when they meet on equal terms.

While these two parts stand their own ground, they also trigger a reading that connects them, expanding the dialogue to a further dimension. The chairs are an invitation to take a seat with others or in the absence of others, while the ribbon colours intertwine with hopes or dreams and keep wishes, promises and memories alive.

The sculpture is made of stainless steel and painted aluminum, and was commissioned by Tridel & the Dorsay Development Corporation for the 2003 completion of the Icon II condominium complex.

“Neighbours”

On the St. Michael’s College campus of University of Toronto, there resides a bronze sculpture entitled Neighbours. Created by artist Joe Rosenthal, the piece was installed in 2001.

Two figures lean on opposite sides of a railing with their gaze just past one another. They lean together while waiting for something, possibly speaking softly to each other while passing the time. Their facial expressions are parallel in somber intensity.

Their body language differs subtly. One figure leans forward expectantly, almost hopefully, as if they can see what is to come. The other leans with patient resolve.

In this sculpture, Joe Rosenthal has provided an excellent example in composition. The two figures are placed in an equal yet opposite position. This guides the viewers’ gaze back and forth between the two dramatically.

Joe Rosenthal, the sculpture’s artist, was born in Romania in 1921. He came to Canada in 1927 and served in the Canadian Armed Forces from 1942-1945. He studied at the Ontario College of Art and continued his learning on extensive sketching trips through the Northwest Territories, Mexico, Cuba, England, Holland, France, Italy, Spain, Greece, Jordan, Israel, and Egypt.

His work has been recognized with awards from the Art Gallery of Ontario, the Canada Council, and the Toronto Outdoor Exhibition. He is a member of the Royal Canadian Academy and the Ontario Society of Arts.

Then, a year later, one of the gals scored a little accoutrement

There’s nothing like a good, gossipy catch-up with a friend

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